MINSTRELSY IN IGBO CULTURE: A TRANSCRIPTION AND ANALYSIS OF SELECTED WORKS OF MIKE EJEAGHA

Abstract

Several studies have been done on minstrelsy and a lot of literatures in existence have given the subject definition, clarification and analysis. Minstrelsy is a specialized vocal art and a vital musical expression for most societies. It is closely bound to folklore; hence it appears to be most predominant and common in rural areas and traditional societies where people share almost everything in common. Minstrelsy as a functional art, whose essence is verbally conveyed and easily realized, has been part of aristocratic life in some societies. As a specialized style of vocal singing, it is not only an elaborate activity in its own right but essential and effective agent for social engagements and other human activities. The protagonists of this art are the minstrels. Hence, the projection and sustenance of this ennobling art is actualized through their performance. Nzewi (2007:83) identified minstrelsy as a typical indigenous popular (pop) music style. He averts that: That the emphasis is usually on a star performer who spins stories, anecdotes and commentaries about occurrences and experiences in her/his human society. She/he may have one or more accompanists who sing chorus answers, and may as well provide light instrumental accompaniment or textural background for solo compositions/extemporization.