INDIVIDUALITY AND IDENTITY CONSTRUCTION IN IGBO INDIGENOUS MUSIC PERFORMANCES

IBEKWE E.U

Abstract


Generally, musical performance in Africa involves both group and individual participation. This is as a result of its nature and purpose, which border specifically on both individual and communal experiences and ownership. Group performances often evoke societal appeal more than individual expression due to the close association or interaction existing between the performers and the audience. Nevertheless, the society does not totally lose sight of some individuals who are so outstanding in playing certain musical roles. It is therefore against this background that this study delves into the different types of musical performances in Igbo setting with particular focus on individuality and identity construction with a view to highlighting its characteristics and significant contributions to the musical arts and society.

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