THE PROSPECTS AND CHALLENGES OF BICULTURAL AND BIMUSICAL ELEMENTS IN NIGERIA ART MUSIC

KARAWUSA, Okechukwu Nonye & Rev. Sr. C. M. ACHIKEH (PhD)

Abstract


This publication explores the prospects and challenges of integrating bicultural and bimusical elements into Nigerian art music. It examines how the rich cultural diversity of Nigeria, with its plethora of ethnic groups and musical traditions can be harmonized within the contemporary art music scene. The article is centered on using music as a communication tool, applying fusion of text, instruments and rhythmic pattern that identified ethnic groups and their musical heritage. Many Nigerian composers have strived to pen down a composition that depicts a bicultural heritage from different ethnic groups within the country in their compositions. Often times such composition is seen during festival of music and cultural heritage. This form of composition is used to express unity in cultural heritage, such as during Nigeria Independence Day celebration. Music of bicultural element is fondly used to identify ethnics and cultural music backgrounds. However, language of the people, their instruments, dance and rhythm are the primary tools for cultural music classification. The study aims to identify the benefits and obstacles associated with this fusion and propose strategies for effective integration to enhance the global appeal of Nigeria art music.

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