AN EXPLORATION OF ORGANIC MATERIALS FOR ART PRODUCTION: THE USE OF CALABASH FOR MODERN SCULPTURE

Abstract

The use of calabash for utilitarian purposes has been practiced by most traditional cultures in Africa but since the advent of colonization and modernity, its domestic and general functions have been abandoned in favour of metals and plastic wares. It’s use for art production as well, confined to traditional art and sufficient effort has not been made by postmodern artists to improve its utility relevance. This project attempts at exploring and reinventing calabash as a material for modern art production in order to increase its utility and relevance. The study employed a mixed method research design. Explorative, experimental and survey designs were used. The research comprises of two areas: The practical and the written literary aspects; the practical aspects include production of modern Sculpture using various exploratory methods while an analysis of the outcome of the works produced were documented in a written project format. Data for the study were gathered through primary and secondary sources. The primary sources are oral sources such as interviews, Focused Group Discussions with members of Society of Nigerian Artists (Anambra State chapter) and artists’ observation. The secondary sources include, written materials such as: projects, magazines, newspapers, books, thesis, bulletins and electronic publications. The collected data were useful in ascertaining ways which calabash can be reinvented and creatively used to produce sculptures that satisfy modern needs. A qualitative method of evaluation was employed in analyzing the data for the research. The outcome of the studio exploration of calabash for modern sculpture shows that calabash, which its domestic functions has become obsolete can be reinvented to achieve sculptures that can appeal to contemporary audience.