VOICES OF RESISTANCE IN ORIN OLOROGUN GENRE OF YORUBA ORAL POETRY

Abstract

Yoruba oral literature, with its diverse forms such as chants, songs, and recitations, has long served as a vehicle for expressing dissent, challenging social injustices, and mobilising community action. Despite its significance, some aspects of the genre, like orin olorogun are yet to be explored for their function as a site for resistance and protest in Yoruba oral poetry. This study explores the cultural significance of Yoruba co-wife's poetry- orin olorogun as a traditional form of Yoruba oral poetry. Through a culturalist lens, this study examines the ways in which co-wife songs employ humor, satire, and emotional expression to demonstrate how oral poetry reflects struggles and inspires collective movements for change in polygamous relationships. Through a critical analysis of the forms, structures, and lyrics of these songs, this research reveals how co-wife songs serve as a platform for women to express resistance, resilience, and agency in the face of patriarchal norms and relationship dynamics. Data for this paper was collected in situ via direct field interviews, non-participant observation, recordings of real-life performances, and intermittent conversations with poets. The analysis reveals the dynamic interplay between art and culture, as powerful media for navigating the complexities of polygamous relationships. In conclusion, this study underscores the enduring relevance of Yoruba oral poetry, particularly orin olorogun, in articulating resistance against societal injustices such as oppression, corruption, and inequality. It recommends a continuous study and use of Yoruba oral poetry to serve as a potent means of resistance and empowerment in traditional societies.